Opera

G. P. Pergolesi - Lauretta, "Il Maestro di Musica"

D. Cimarosa - Carolina, "Il Matrimonio Secreto"

G. Donizetti - Rita, "Rita"

J.Offenbach - Rosine, "Un mari a la porte"

L. Cherubini - Seconde Dame, "Medea"

W. A. Mozart - Barbarina e Susanna, "Le nozze di Figaro"

G. Rossini - Rosina, "Il barbiere di Siviglia"

G. Bizet - Micaela, "Carmen"

F. Poulenc - Elle, "La voix humaine", Blanche de La Force, "Dialogues des Carmélites"

G. Puccini - Musetta, "La Bohème"

F. Lizst - Elzire, "Don Sanche"

R. Wagner - Ein junger Hirt, "Tannhäuser"

Ruperto Chapì - Mari Peppa, "La Revoltosa"

K. A. Hartmann - Katze/ Frau, "Wachsfigurenkabinett"

G. Gerschwin - Clara, "Porgy and Bess"

E. Wolf-Ferrari - Susanna, "Il secreto di Susanna"

John Adams - Kumudha, "A flowering tree"

Daniel Faria - Editora, "O crepúsculo do crítico"

Francisco Fontes - Maria Magola

Fátima Fontes - Concílio celeste

Sara Ross - Metamorfoses de Amor

Oratory

C. Monteverdi - Vespre de la Beata Virgine

Montéclair - La mort de Didon

Telemann - Was ist mir doch das Rühmen nütze, Seele, lerne dich erkennen

C. Seixas - Missa em Sol

A. Vivaldi - Gloria

G. B. Pergolesi - Stabat Mater

J. S. Bach - Magnificat, H-Moll Messe, Cantata BWV 51 "Jauchzet Gott in allen Landen", Cantata BWV 80 "Ein feste Burg ist unser Gott", Cantata BWV 140 "Wachet auf, ruft uns die Stimme", Cantata BWV 196 "Der Herr denket an uns"

G. F. Händel - Dixit Dominus, Silete venti, Salve Regina, Nel dolce dell' oblio, Neun deutsche Arien

J. Haydn - The Creation, Nelson Messe

Zelenka - Gratias agimus tibi Mass

W. A. Mozart - Exultate Jublilate, Requiem, Coronation Mass, Missa Brevis, Credo Mass, C minor Mass, Vesperae Solemnes de Confessore

L.v. Beethoven - 9º Sinfonie, Missa Solemnis

F. Mendelssohn - Lobgesang, A Midnight Summer's dream

A. Dvorak - Requiem

J. Brahms - Ein deutsches Requiem

E. Chausson - Chanson de la mer et de l'amour

M. Ravel - Shéhérazade

Honegger - Jeanne d'Arc au Bûcher

B.Britten - A ceremony of Carols

G. Mahler - 4º Sinfonie

C. Orff - Carmina Burana

João Pedro Oliveira - "O Abismo e o Silêncio", "Shîyr"

Andreia Pinto Correia - Alfama

Kurt Weil - 7 Pecados Mortais

Dan Forrest - Jubilate Deo

António Victorino D'Almeida - Gaudeamus

Anne Victorino D'Almeida - Concerto para Viola e Voz

Recital

- Com Joana Moreira e Maestro Victorino D'Almeida

Ciclo da Canção Erudita. Canção portuguesa, Lied, Chanson e Canção do Mundo. Auditório Municipal de Gondomar.

Recital "De Portugal para Portugal". Poetas e compositores portugueses.

- Com Nuno Vieira de Almeida

Complete songs by W. A. Mozart Teatro de S. Luiz. Com Inês Calazans (soprano).

A hora de Viktor Ullmann Canções de Viktor Ullman. Teatro de S. Luiz.

Noite da memória Canções de Fernando Lopes-Graça, Mendelssohn, Mahler (Rückert-Lieder) e Korngold (Sterbelieder). Teatro de S. Luiz

Festival de Sintra

- Canções de Vianna da Motta e F. Lizst.

Festival de Leiria

- Canções de F. Schubert, L. Berio, C. Debussy, F. Lacerda.

Tour África do Sul Namíbia e CCB

Amor e despedida Canções de R. Schumann, Korngold, G. Mahler e R. Strauss.

Recital Aristides de Sousa Mendes Italienisches Liederbuch de Hugo Wolf e duetos de R. Schumann. Centro de estudos judiciários, Lisboa. com João Terleira.

Frauenliebe und Leben R. Schumann e canções J. Brahms. Portimão.

- Com José Brandão

Chansons de Bilitis Museu Gulbenkian. ao piano, José Brandão e Daniel Godinho

Falsos gregos Teatro Aveirense. Com o barítono André Baleiro.

- Com Cristóvão Luiz

Concertos de Domingo Wesendonck-Lieder de Wagner, canções de E. Chabrier e G. Fauré. Museu Gulbenkian.

Percursos da dispersão Canções de Schubert, H. Eisler, P. Dessau, W. Rihm, Messien, J. Cage, V. Ullmann and A. Schoenberg. Conservatório de Música do Porto.

As mãos e os frutos  Biblioteca Municipal do Porto.

Canções de Hugo Wolf e árias de ópera. Teatro de Vila Real

- Com David Santos

Ein europäisches Liederbuch Folksongs by J. Brahms, L. Berio, B. Britten, M. Ravel, F. Lacerda and M. Falla. Berlim. Nikolai Kirche

A Ferreirinha e as compositoras do seu tempo. Fanny Hensel, Clara Schumann, Cécile Chaminade, Lili Boulanger. Festival In Spiritum. Caves Ferreira.

- Com Angel Gonsalez

Canções de R. Strauss (Op. 10), Debussy (Fetes Galantes) e árias de ópera. Palma de Maiorca

- Com Tiago Magalhães

Des Knaben Wunderhorn, G. Mahler com Job Tomé (barítono). Teatro de Vila do Conde.

- Com Bruno Ribeiro e Tiago Abrantes (Clarinete)

Der Hirt auf dem Felsen, F. Schubert, 4 Seasonal Songs, Gordon Jacob, 3 Songs of Innocence, Arnold Cooke and 6 deutsche Lieder, Louis Spohr. Convento de Arouca.

- Com Daniel Cunha

Gestos do romântico canções de F. Schubert, Wolf, J. Marx e L. Thuille. Auditório Municipal de Gaia e Sala dos Quadros Igreja da Lapa.

Anterianas

Artists bring together the loose pieces of the world. Freitas Branco and Schubert meet here not because the Portuguese was in charge of publishing a biography of Schubert, not because Antero won over the composer with the poetic beauty of his Idea: what unites the loose links of this chain is not an idea , rather its antithesis. Because we meet here, interpreters and listeners, poets and composers, Portuguese and German words and gestures from such different centuries... Face to face, Der Tod und das Mädchen, it is from mystery that revelation springs. Word and music are intimately linked in 21 ways of saying the same thing, interconnected by the guiding thread of what never appears in the mind without first passing through the heart. Death and girl in the space of the unspeakable, in the silence and magnificence of the stars: a solar opening over the incorruptible sky of Consciousness.

4 Quadros para Luís de Freitas Branco

The 4 paintings aim to expose not only the European influences that ended up revolutionizing the Portuguese musical panorama, but also 4 paintings alluding to the atmosphere that surrounded the sensibilities of the time: a first, in a winged way, represents the desire for purification, another sinks into the most painful melancholy, the third, based on the surface of blackness, tells the agony of hunger and the feeling of dispersion caused by war, and finally, something of the highest intimacy, it portrays the desire to withdraw from the outside world to another fabric of the imagination. The hand that leads us from one painting to another will be that of Gustav Mahler, considered by many to be a visionary who, with his high sensitivity, intuited what was coming at the beginning of the 20th century.

Homenagem a Jorge de Sena

Premiere of the 2 Song Cycles dedicated to Jorge de Sena - "As Evidências", "Coroa da Terra". Excerpts from Art of Music.

Diários em Música. Miguel Torga e Fernando Lopes-Graça

A set of 2 recitals dedicated to Miguel Torga's diaries. Excerpts from the diaries are read and interspersed with a musical painting of them, music by Lopes-Graça, Mompou, Fernando Lapa and Hugo Wolf.

- Reading excerpts from Diaries I-VIII.

- Songs by Fernando Lopes Graça and Federico Mompou.

- Photographs by Georges Dussaud

Fernando Lopes-Graça, who receives the integration of traditional music from Bartok, finds its greatest roots in Falla and Andalusian folklore. Thus, bringing to life the many ethnographic documents from the border regions, let us hear through his hand the Iberian inbreeding of our music. Federico Mompou, whose mother was of French origin, shared the chalice of lights with Graça for a few years. Ravel, Debussy and the Group of Six each equipped themselves with their own language, markedly of the land and for the land

Folhas Caídas - Robert Schumann e Almeida Garrett

The Liederkreis op. 39 by Robert Schumann is interspersed with Folhas Caídas by Almeida Garrett. Recital held at the Museu Romântico and Fundação Passos Canavarro, with baritone Job Tomé.

Dois Marinheiros na Margem - Eugénio de Andrade e Garcia Lorca 

A recital, an invitation to sail: Smooth world, beaded sea, a hundred stars and a boat; words by Federico García Lorca, translated by the poet Eugénio de Andrade, in the poem two sailors on the shore.

Sea and Song are the movement and invocation of poets "thirsty for being", who "seek a reconciliation, a supreme harmony between light and shadow, presence and absence, plenitude and lack".

Ou a Fragueira ou Paris - Francisco de Lacerda em Viagem

Or Fragueira, or Paris, a phrase attributed to the composer Francisco de Lacerda, is the title of a recital that establishes a bridge between two places that influenced the work of one of the most relevant and iconic Portuguese composers of the 20th century: the Azores, the home, and Paris, city of lights. The timbrel and the dance movement will be the root and the journey. Trovas and French songs, nostalgia and the future.